Irreversible Entanglements

Irreversible Entanglements

Now Available

Irreversible Entanglements - Irreversible Entanglements

cover art IARC0014 Irreversible Entanglements.jpg

What people Are Saying

โ€œFar from being distant history, the cotton fields and lynchings Ayewa speaks of are utterly foundational to the present.โ€

โ€“ Emily Pothast, WIRE Magazine

โ€œSonically adventurous and avant-garde, itโ€™s an album that forcefully shakes your core.โ€

โ€“ Marcus J. Moore, Bandcamp



โ€œโ€ฆurgent improvisation that unfolds like a fire flower of rebellion.โ€

โ€“ Lars Gotrich, NPR๏ปฟ

 

Announcing IARC0014: Irreversible Entanglements - Irreversible Entanglements

In stores September 26, 2017
Preview & pre-order on LP/CD/Digital via our Bandcamp page

Irreversible+Entanglements+photo+by+Keir+Neuringer.jpg

Irreversible Entanglements are a liberation-oriented free jazz collective formed in early 2015 by saxophonist Keir Neuringer, poet Camae Ayewa (a.k.a. Moor Mother) and bassist Luke Stewart, who came together to perform at a Musicians Against Police Brutality event organized after the slaying of Akai Gurley by the NYPD. Months later the group added trumpeter Aquiles Navarro and drummer Tcheser Holmes (a duo who also performed at the MAPB event) for a single day of recording at Seizureโ€™s Palace in Brooklyn, and the full quintetโ€™s first time playing together was captured for this debut. In four relentless bouts of inspired fire music the instrumentalists explore and elaborate compositional ideas drawn from their deep individual studies of free jazz improvisation, but the tone of each piece is driven decisively by Ayewaโ€™s searing poetic narrations of Black trauma, survival and power. The message is the undeniable essence of the music. Though free jazz with voice is an uncommon approach in the modern day landscape of the genre, the spirit and subject the band channels and explores represent a return to a central tenant of the sound as it was founded โ€“ to be a vehicle for Black liberation. As creative and adventurous as any recording of contemporary avant-garde jazz but offering listeners no abstractions to hide behind, this is music that both honors and defies tradition, speaking to the present while insisting on the future.

Notes

Camae Ayewa - voice
Keir Neuringer - alto saxophone
Aquiles Navarro - trumpet
Luke Stewart - double bass
Tcheser Holmes - drums

All words by Camae Ayewa.
Fireworks composed by
Keir Neuringer.
Enough composed by
Aquiles Navarro.
Chicago to Texas and Projects collaboratively composed in performance by
Keir Neuringer, Aquiles Navarro, Luke Stewart, and Tcheser Holmes.

Recorded August 26, 2015 at Seizureโ€™s Palace, Brooklyn, New York.

Engineered by Jason LaFarge.
Mixed by David Allen.
Mastered by Helge Sten.

Art by Damon Locks.

Layout by Craig Hansen.

Produced by Keir Neuringer.

Thank you: Scottie McNiece, Amirtha Kidambi, Peter Evans.

All rights reserved

Irreversible+Entanglements+photo+by+Reuben+Radding+3.jpg

About Irreversible Entanglements

Irreversible Entanglements are a liberation-oriented free jazz collective formed in early 2015 by saxophonist Keir Neuringer, poet Camae Ayewa (a.k.a. Moor Mother) and bassist Luke Stewart, who came together to perform at a Musicians Against Police Brutality event organized after the slaying of Akai Gurley by the NYPD. Months later the group added trumpeter Aquiles Navarro and drummer Tcheser Holmes (a duo who also performed at the MAPB event).

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